Rahat Fateh Ali Khan pays homage to Ustad Nusrat with 'Sanson Ki Mala' Recreate

 

The first time celebrated singer Rahat Fateh Ali Khan performed was at the tender age of nine, on his grandfather's death anniversary. The qawwal, who is the nephew of the late global artist Ustad Nusrat Fateh Ali Khan, has been time and again been compared to the maestro, thanks to his similar style of singing.

Performing Nusrat's qawwalis at events and concerts is a norm for Rahat. However, the O Re Piya hitmaker recently released a cover of one of the most famous qawwalis of his great uncle, Sanson Ki Mala. With this, he has paid a tribute to Nusrat once again, releasing the cover of the evergreen song on Friday.

The video for the track has been shot in Pakistan and also has glimpses of Rahat performing as a child next to the maestro himself. We also see a few portraits of the iconic Nusrat herein, performing and completely in his element. The rendition is by Sufiscore.

This, however, isn't the first time Rahat has made a remake of Nusrat's work. Earlier, in an interview with BBC Urdu, the Teri Meri crooner talked about remakes, adding how he doesn’t want his versions to be compared to the originals sung by his late uncle. According to Rahat, the comparison is barely justified since his songs are usually tailored for films.

Rahat elaborated on his stance further by explaining that songs need to be something people remember and that he doesn’t consider something that goes over one’s head like a song, including some of his own. "I want to add that whatever I perform and whatever that I am, is all thanks to my uncle. No one has contributed to the music industry the way my uncle has,” he said.

“I started learning music from Nusrat when I was six. I would wait for him to give me the cue to start singing. He noticed that I was very keen on it all the time and so, enjoyed training me as well.”

Rahat went on, “For 25 years, Nusrat created a stage in his house to celebrate his father's death anniversary. And every year, he would sing variations of ragas. He would improvise on these in front of other maestros.”